Tighten, tune, sync or double vocals in Pro Tools, Logic Pro X, Studio One, Cubase, FL Studio and Ableton Live. AAX, VST and AU. Revoice Pro 4 - Specs - Synchro Arts. This video quickly runs through some of the main features of both VocALign Pro 4 and Revoice Pro 4 so you can decide which is right for you. The undisputed industry standard for aligning audio, VocALign is the go-to solution for tightening your vocal performances.
Give Your Vocals the 5-Star treatment with Revoice Pro 4
Pro 4 Racing
Revoice Pro 4 is a complete vocal production package delivering premium audio quality while being fast and easy to use, saving hours of tedious editing time while ensuring the highest possible production values.
Pro-v4
Whether you need to tighten timing or pitch on a huge vocal stack, manually tune a lead or create authentic double tracks, Revoice Pro has you covered. Also, while Revoice Pro is perfect for working with vocals, it's great for instruments like guitars and brass too.
Revoice Pro 4 Download
Main Features
- Unique APT or Audio Performance Transfer technology which enables the timing, pitch, vibrato and level features of one audio source to be applied to other tracks in seconds
- Powerful and intuitive pitch editing in Warp mode
- Instantly create natural-sounding mono and stereo double tracks with the Doubler
- Our most advanced third generation alignment technology
- Protected Regions so you can ignore areas which should not be modified
- Unlimited signal length
- Transient Protection to avoid modifying signals at the transient
- Fully adjustable time and pitch 'tightness' so you can choose how 'wet' or 'dry' the processing is
- Separate Quick APT and Doubler plugins (currently Pro Tools only)
- Full ARA2 (Audio Random Access) support for an even faster and easier workflow with compatible DAWs
- Any paid upgrade free for 6 months after activation - more info here
Revoice Pro 4 Vs Vocalign Pro
'It remains among the best-sounding pitch processors out there and when it comes to time alignment, it's in a class of its own' - Sound on Sound Magazine